EssaysArt & Illustrations
As the French Revolution entered its most radical years, there emerged in print a recurring figure, the collective power of the people expressed as a single gigantic body — a king-eating Colossus. Samantha Wesner traces the lineage of this nouveau Hercules, from Erasmus Darwin’s Bastille-breaking giant to a latter incarnation in Mary Shelley’s Frankenstein. more
“More Lively Counterfaits”: Experimental Imaging at the Birth of Modern Science
From infographics to digital renders, today’s scientists have ready access to a wide array of techniques to help visually communicate their research. It wasn’t always so. Gregorio Astengo explores the innovations employed in early issues of the Royal Society’s Philosophical Transactions, the world’s first scientific journal — new forms of image making which pushed the boundaries of 17th-century book printing. more
Primary Sources: A Natural History of the Artist’s Palette
For all its transcendental appeals, art has always been inextricably grounded in the material realities of its production, an entwinement most evident in the intriguing history of artists’ colours. Focusing in on painting’s primary trio of red, yellow, and blue, Philip Ball explores the science and stories behind the pigments, from the red ochre of Lascaux to Yves Klein’s blue. more
Comic Gold: The Easterner Goes West in Three Early American Comics
The California Gold Rush transformed the landscape and population of the United States. It also introduced a new figure into American life and the American imagination — the effete Eastern urbanite who travels to the Wild West in quest of his fortune. Alex Andriesse examines how this figure fares in three mid-nineteenth-century comic books. more
In the 21st-century, infographics are everywhere. In the classroom, in the newspaper, in government reports, these concise visual representations of complicated information have changed the way we imagine our world. Susan Schulten explores the pioneering work of Emma Willard (1787–1870), a leading feminist educator whose innovative maps of time laid the groundwork for the charts and graphics of today. more
Images have long provided a means of protesting political regimes bent on censoring language. In the 1830s a band of French caricaturists, led by Charles Philipon, weaponized the innocent image of a pear to criticize the corrupt and repressive policies of King Louis-Philippe. Patricia Mainardi investigates the history of this early 19th-century meme. more
Woodblocks in Wonderland: The Japanese Fairy Tale Series
From gift-bestowing sparrows and peach-born heroes to goblin spiders and dancing phantom cats — in a series of beautifully illustrated books, the majority printed on an unusual cloth-like crepe paper, the publisher Takejiro Hasegawa introduced Japanese folk tales to the West. Christopher DeCou on how a pioneering cross-cultural endeavour gave rise to a magnificent chapter in the history of children’s publishing. more
Music of the Squares: David Ramsay Hay and the Reinvention of Pythagorean Aesthetics
Understanding the same laws to apply to both visual and aural beauty, David Ramsay Hay thought it possible not only to analyse such visual wonders as the Parthenon in terms of music theory, but also to identify their corresponding musical harmonies and melodies. Carmel Raz on the Scottish artist’s original, idiosyncratic, and occasionally bewildering aesthetics. more