Highlights from Folger Shakespeare Library’s Release of almost 80,000 Images
Folger Shakespeare Library announced yesterday (12th August 2014), that they have released the contents of their Digital Image Collection under a Creative Commons Share-Alike (CC-BY-SA) license – basically meaning that the images are free to re-use for any purpose as long as you credit the Folger Shakespeare Library as the source and share under a similar license. This is a huge injection of some wonderful material into the open digital commons. Of course, there is plenty of brilliant Bard related content, but also many other gems from the history of theatre. Below you can find our highlights.
In this section of the site we bring you curated collections of images, books, audio and film, shining a light on curiosities and wonders from a wide range of online archives. With a leaning toward the surprising, the strange, and the beautiful, we hope to provide an ever-growing cabinet of curiosities for the digital age, a kind of hyperlinked Wunderkammer – an archive of materials which truly celebrates the breadth and variety of our shared cultural commons and the minds that have made it. Some of our most popular posts include visions of the future from late 19th century France, a dictionary of Victorian slang and a film showing the very talented “hand-farting” farmer of Michigan. With each post including links back to the original source we encourage you to explore these wonderful online sources for yourself. Check out our Sources page to see where we find the content.
Poems by Percy Bysshe Shelley, introduction by Walter Raleigh, illustrated by Robert Anning Bell; 1902; George Bell and Sons, London.
A turn-of-the-century edition of Shelley’s best known verse, both epic and short, adorned throughout with gorgeous illustrations by the English artist and designer Robert Anning Bell. Almost a decade after …Continued
A small pamphlet (in the series "Little journeys to the homes of great musicians") on the life of the Italian composer Guiseppe Verdi, beginning with a fictionalised account of his childhood meeting with his early patron Signior Barezzi and his eldest daughter Margherita, with whom Verdi ended up falling in love. …Continued