
Overview
This guide is intended to assist people who are interested in exploring interesting works which have entered the public domain. It covers:
Leads on interesting public domain works can come from a wide array of sources – from exhibitions, museums, concerts, television, the radio, books, newspapers, talking to people, etc.
The internet of course is another great resource. Blogs such as the excellent BibliOdyssey and Res Obscura regularly feature interesting works, (although, after following their links, it often takes a bit of snooping around in the small print of various institution’s copyright policies to determine whether something is published to the public domain or not). Social media has also offered new ways of exploring material that has entered the public domain. There are various archive/history focused tweeters out there calling attention to interesting works. If you’re a Twitter user, it is perhaps worth setting up a #publicdomain feed as people are increasingly using this tag when tweeting about interesting works that have entered the public domain.
On top of this there are also mailing lists dedicated to discussion about the public domain, where people often message each other about recently entered works. The Open Knowledge Foundation hosts one such mailing list and it can be subscribed to on the PD Discuss Mailing List info page.
If links from blogs, tweets, etc. lead you to copies with restrictions on use then don’t get too disheartened as there is often more than one copy available on the internet, and hopefully one licensed openly.
So, be it for the casual idle browse with nothing specific in mind, or to try find that wondrous work you heard about on a radio programme, saw at an exhibition, or saw featured on a blog, it is to the online collections which one should turn. The next section will give you a quick whistle stop tour of the largest online collections of public domain works.
Just before we get into the various collections out there it is worth noting that, although works may have been created long ago and so themselves are in the public domain, this unfortunately doesn’t always mean that their online digital versions are too. All too often they are published online under a restrictive license – often under CC BY-NC, which means there can be no commercial use of the material. Because of this it is important to have a grasp of the different Creative Commons licensing tools which people often use when uploading public domain material. Please see the Licensing section below for an explanation of all these various CC codes, knowing them will make navigation of the great resources below even easier….









and of course, last but not least….

There are of course lots of other digital projects (many belonging to universities) which provide free access to material, though it does sometimes take a bit of snooping about in the small print to determine whether the institution in question is publishing its public domain works under an open license. Unfortunately many don’t. Some do however, e.g. the U.S. National Library of Medicine, The Walters Art Museum, University of Houston Digital Library, and many others, such as Cornell University Library and the California Digital Library that have teamed up with Internet Archive to house and display their digitised material there. For a good list of institutions that have opened up their digital collections, check out this list being compiled at OpenGLAM.
also it might be worth trying out the CC search tool which effectively makes public domain collections from things like Google Images, etc….

In order of “openness” here are the Creative Commons licensing tools which many online collections use to license the works that have been uploaded to their websites.
Public Domain Mark 1.0 – No known copyright
This work has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. Used on works that are thought to be in the public domain all over the world.The person who associated a work with this deed has dedicated the work to the public domain by waiving all of his or her rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
You are free to copy, distribute and transmit the work, to adapt the work, and to make commercial use of the work, providing that you attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
CC BY-SA – Attribution Share-Alike
You are free to copy, distribute and transmit the work, to adapt the work, and to make commercial use of the work, providing that you attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.CC BY-ND – Attribution-NoDerivs
You are free to copy, distribute and transmit the work, and to make commercial use of the work, providing that you attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). You may not alter, transform, or build upon this work.CC BY-NC – Attribution Non-commercial Share-alike
You are free to copy, distribute and transmit the work, and to adapt the work, providing that you attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. You may not use this work for commercial purposes.ii. When Does a Work Pass Into The Public Domain?
In general its fairly safe to say that if a work was made before 1850 then it is almost certainly in the public domain universally – that’s a lot of material that you are free to use however you wish without needing any kind of permission! As already mentioned, however, many institutions unfortunately claim copyright on scanned/uploaded and uploaded images of public domain works, so look out for the copyright status which should accompany such uploads.
For works more recent you have to know the law. Frustratingly, each country has different laws about when works enter the public domain, laws which normally vary depending on the medium of the work. Some countries go by the death of the author, some countries go by a cut off date for publication. For literary, dramatic, musical or artistic works, in most countries in Europe and many other countries around the world, a work enters the public domain after 70 years from the end of the calendar year in which the last remaining author of the work dies (for film this includes the principal director, screenwriter and composer of any music). For some countries its 50 years (Barbados), for others its 100 years (Mexico). For the U.S. its a completely different story as they work partially from a “cut off date model”, with lots of other factors involved based on when, or if at all, copyright was renewed. Here are some links to help you navigate the choppy legal seas!
There often occurs, of course, the situation when you might want to use a work which is in the public domain in its country of origin but not in the public domain in your own country. Some countries employ the excellent “Rule of the shorter term”, which means that they default to which ever term is the shortest when considering the copyright status of works published outside of that country – the copyright term provided by that country or the copyright term provided by work’s home country. Be aware though that though they may profess that they follower the “Rule of the shorter term” many countries have adopted specific bi-lateral agreements with others which override the rule.
















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