In the 1850s, as photography took its first steps toward commercial reproducibility, a more intimate use for light-sensitive plates briefly bloomed. It had a few names: heliographic drawing, photographic autography, or, as it is best known today, cliché-verre. Miya Tokumitsu takes us to the towns and forests of France where a group of friends began making marks on photographic plates, and finds their camaraderie cohere in lyrical arrangements of topography and light. more
The Public Domain Review is dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas – focusing on works now fallen into the public domain, the vast commons of out-of-copyright material that everyone is free to enjoy, share, and build upon without restrictions.
“Magnificent … A model of digital curation”
“… a gold mine of fantastic images and stories.”
The New York Times