
Cliché-Verre and Friendship in 19th-Century France
In the 1850s, as photography took its first steps toward commercial reproducibility, a more intimate use for light-sensitive plates briefly bloomed. It had a few names: heliographic drawing, photographic autography, or, as it is best known today, cliché-verre. Miya Tokumitsu takes us to the towns and forests of France where a group of friends began making marks on photographic plates, and finds their camaraderie cohere in lyrical arrangements of topography and light. more
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Chaos Bewitched: Moby-Dick and AI
Eigil zu Tage-Ravn asks a GTP-3-driven AI system for help in the interpretation of a key scene in Moby-Dick (1851). Do androids dream of electric whales? more