french revolution

Essays
Darkness Over All: John Robison and the Birth of the Illuminati Conspiracy

Darkness Over All: John Robison and the Birth of the Illuminati Conspiracy

Conspiracy theories of a secretive power elite seeking global domination have long held a place in the modern imagination. Mike Jay explores the idea’s beginnings in the writings of John Robison, a Scottish scientist who maintained that the French revolution was the work of a covert Masonic cell known as the Illuminati. more

Flash Mob: Revolution, Lightning, and the People’s Will

Flash Mob: Revolution, Lightning, and the People’s Will

Kevin Duong explores how leading French revolutionaries, in need of an image to represent the all important “will of the people”, turned to the thunderbolt — a natural symbol of power and illumination that also signalled the scientific ideals so key to their project. more

Progress in Play: Board Games and the Meaning of History

Progress in Play: Board Games and the Meaning of History

Players moving pieces along a track to be first to reach a goal was the archetypal board game format of the 18th and 19th centuries. Alex Andriesse looks at one popular incarnation in which these pieces progress chronologically through history itself, usually with some not-so-subtle ideological, moral, or national ideal as the object of the game. more

The Revolutionary Colossus

The Revolutionary Colossus

As the French Revolution entered its most radical years, there emerged in print a recurring figure, the collective power of the people expressed as a single gigantic body — a king-eating Colossus. Samantha Wesner traces the lineage of this nouveau Hercules, from Erasmus Darwin’s Bastille-breaking giant to a latter incarnation in Mary Shelley’s Frankenstein. more

Designing the Sublime: Boullée and Ledoux’s Architectural Revolution

Designing the Sublime: Boullée and Ledoux’s Architectural Revolution

As dissatisfaction with the old regime fermented into revolutionary upheaval in late-eighteenth century France, two architects cast off the decorative excesses of the Baroque and Rococo styles and sought out bold, new geometries. Hugh Aldersey-Williams tours the sublime and mostly unrealized designs of Étienne-Louis Boullée and Claude-Nicolas Ledoux, discovering utopian ideals crafted in cubes, spheres, and pyramids. more