Conjectures

In Praise of Halvings: Hidden Histories of Japan Excavated by Dr D. Fenberger

Roger McDonald on the mysterious Dr Daniel Fenberger and his investigations into an archive known as “The Book of Halved Things". more

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In Praise of Halvings: Hidden Histories of Japan Excavated by Dr D. Fenberger

It is Disturbing to Find

Weaving extracts from a naturalist’s private journals and unpublished sci-fi tale, Elaine Ayers creates a single story of loneliness and scientific longing. more

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It is Disturbing to Find

Remembering Roy Gold, Who was Not Excessively Interested in Books

Nicholas Jeeves takes us on a turn through a Borgesian library of defacements. more

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Remembering Roy Gold, Who was Not Excessively Interested in Books

The Primordial Gound

Kant in Sumatra? The Third Critique and the cosmologies of Melanesia? Justin E. H. Smith with an intricate tale of old texts lost and recovered, and the strange worlds revealed in a typesetter's error. more

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The Primordial Gound

Lover of the Strange, Sympathizer of the Rude, Barbarianologist of the Farthest Peripheries

Winnie Wong brings us a short biography of the Chinese curioso Pan Youxun (1745-1780). At issue? Hubris, hegemony, and global art history. more

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Lover of the Strange, Sympathizer of the Rude, Barbarianologist of the Farthest Peripheries

The Elizabeths: Elemental Historians

Carla Nappi conjures a dreamscape from four archival fragments — four oblique references to women named “Elizabeth” who lived on the watershed of the 16th and 17th centuries. more

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The Elizabeths: Elemental Historians

Some Remarks on the Legacy of Madame Francine Descartes – First Lady and Historian of the Robocene – on the Occasion of 500 Years Since her Unlawful Watery Execution.

Dominic Pettman, through the voice of a distant descendant of the Roomba, offers a glimpse into the historiographical revenge of our enslaved devices. more

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Some Remarks on the Legacy of Madame Francine Descartes – First Lady and Historian of the Robocene – on the Occasion of 500 Years Since her Unlawful Watery Execution.

Every Society Invents the Failed Utopia it Deserves

In a late 19th-century anarchist newspaper, John Tresch uncovers an unusual piece, purported to be from the pen of Louise Michel, telling of a cross-dressing revolutionary unhinged at the helm of some kind of sociopolitical astrolabe. more

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Every Society Invents the Failed Utopia it Deserves

In Search of the Third Bird: Kenneth Morris and the Three Unusual Arts

Easter McCraney explores the ornithological intrigues lurking in an early-20th-century Theosophical journal. more

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In Search of the Third Bird: Kenneth Morris and the Three Unusual Arts

With our Conjectures series we launch a new laboratory for experiments with historical form and historical method. Why might such a thing be wanted? And why here on The Public Domain Review? The last thirty years has witnessed a genuine revolution in history. The digitization of vast bodies of historical source material (books, archives, images), together with new technologies of access to those sources (the internet, search engines, text tools), has transformed the way we see, feel, read, and imagine what came before the present.

The Public Domain Review was born in response to this new world — a world in which the very volume of historical material and the unprecedented topographies of its availability reveal the urgent need for new platforms, new ways of curating, collating, and celebrating a magnificent, swamping, upwelling cosmos of history-stuff. So far, so good. We are proud to have become a small part of the large work of making the good things of the past present in new ways. With Conjectures we extend that project, by turning to look at some of the new kinds of history-writing that are emerging out of the mini-maelstrom of that revolution — some of the new ways artists and scholars are working in this transformed world of sources (and the transformed means of navigating and manipulating them).

The essays in this section do real historical work, but they do not necessarily do that work in the ways we have come to accept as conventional. The reader is asked to keep a live eye on these texts, which thread between past and present, between the imagination and the archive, between dreams and data. — D. Graham Burnett, Series Editor

Pantagruel
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