Elizabeth I’s Manuscript Copy of Pierre Boaistuau’s Histoires Prodigieuses (1559)

“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)

Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)

Calicornication: Postcards of Giant Produce (1909)

Charlotte Perkins Gilman’s Herland (1915)

Wayang Kulit: Raden Soelardi’s Illustrations of Javanese Puppets (1919)

Unbridled Passions: The Eight Horses of King Mu, Son of Heaven (ca. 1300)

Pigeons Transmogrified: Hannah Glasse’s Art of Cookery (1751 edition)

Snail Homes, Bog Bodies, and Mechanical Flies: Robert Testard’s Illustrations for Les secretz de l’histoire naturelle (ca. 1485)

Sekka Zusetsu: A Book of Snowflakes (1832)

Sara Weiss’ Journeys to the Planet Mars (1903)

Autobiography of a “Jeep” (1943)

Flights of Fancy: The Nine Birds of Jacques de Fornazeris (1594)

A Prophet of the Weather: Lantern Slides by Clement Lindley Wragge (ca. 1900–22)

Peter Kropotkin’s Memoirs of a Revolutionist (1899)

Nature Morte: Chaïm Soutine’s Still Lifes (ca. 1920s)

Deceit and Disrobing: The Schefer Maqāmāt (BNF Arabe 5847, ca. 1237)

Luke Howard’s Essay on the Modification of Clouds (1865)

“Quaint Dessert Dishes” in American Homes and Gardens (1911)

Henri Rivière’s Thirty-Six Views of the Eiffel Tower (1888–1902)

Too Computerised? Too Cold?: 1999 A.D. (1967)

Perverse, Grotesque, Sensuous, Inimitable: A Selection of Works by Aubrey Beardsley

Animal Costumes from the 1862 Fairytale Ball of the Jung-München Artist’s Association

“That’s Why We Become Witches”: Sylvia Townsend Warner’s Lolly Willowes (1926)