Genevieve Stebbins’ Delsarte System of Dramatic Expression (1886)

Perverse, Grotesque, Sensuous, Inimitable: A Selection of Works by Aubrey Beardsley

The Nature of the Beast: Charles le Brun’s Human-Animal Hybrids (1806)

The “Private” Photographs of Bolette Berg and Marie Høeg (ca. 1895–1903)

Denishawn Dance Film (ca. 1916)

The Tanzmasken of Lavinia Schulz and Walter Holdt (ca. 1924)

Between Frogs and Gods: Illustrations of Physiognomy

Joseph Ducreux’s Self-Portraits (ca. 1790)

The Expressions of Emotion in the Pigeons (1909–11)

The Language of Flowers: An Alphabet of Floral Emblems (1857)

The Joys of Young Werther (1775)

Alphonse Bertillon’s Synoptic Table of Physiognomic Traits (ca. 1909)

Chirologia, or The Natural Language of the Hand (1644)

Comparative Physiognomy: or, Resemblances Between Men and Animals (1852)

The Physiognomy of Hands (1917)

Portraits of Patients from Surrey County Asylum (ca.1855)

Phrenology Diagrams from Vaught’s Practical Character Reader (1902)

Vaught’s Practical Character Reader (1902)

The Enchanted Drawing (1900)

Giambattista della Porta’s De humana physiognomonia libri IIII (1586)

The Mechanism of Human Physiognomy (1862)