The designs themselves have a somewhat unaccountable leaning toward the medieval, or as John Ptak astutely notes, “a weird alien/Buck Rogers/Dr. Seuss/Wizard of Oz quality” to them. If indeed this was a genuine attempt by the author Gall to imagine what the future of fashion might look like, it’s fascinating to see how far off the mark he was (excluding perhaps the 60s and 70s), proving yet again how difficult it is to predict future aesthetics. It is also fascinating to see how Gall envisaged the progression of fashions across the decades – considering that, from our perspective now, his vision of 1970 doesn’t much look much different to 1920 – and to see which aspects of his present he wasn’t even able to consider losing to the march of time (e.g. the long length of women’s skirts and the seemingly ubiquitous frill). As is often the case when we come into contact with historic attempts to predict a future which for us is now past, it is like glimpsing into another possible world, a parallel universe that could have been (or which, perhaps, did indeed play out “somewhere”).