colour

Essays

Black on Black

Black on Black

Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought. more

Primary Sources: A Natural History of the Artist's Palette

Primary Sources: A Natural History of the Artist's Palette

For all its transcendental appeals, art has always been inextricably grounded in the material realities of its production, an entwinement most evident in the intriguing history of artists' colours. Focusing in on painting's primary trio of red, yellow, and blue, Philip Ball explores the science and stories behind the pigments, from the red ochre of Lascaux to Yves Klein's blue. more