Harold A. Taylor’s Autochromes of California Flowers (early 20th century)

“Plaything of the Gods”: Photographs of Pushball (early 1900s)

Pyramid of the Capitalist System (1911)

Broken Ground: The Fall of the House of Usher (1928)

Calicornication: Postcards of Giant Produce (1909)

Charlotte Perkins Gilman’s Herland (1915)

Wayang Kulit: Raden Soelardi’s Illustrations of Javanese Puppets (1919)

Sara Weiss’ Journeys to the Planet Mars (1903)

Autobiography of a “Jeep” (1943)

A Prophet of the Weather: Lantern Slides by Clement Lindley Wragge (ca. 1900–22)

Nature Morte: Chaïm Soutine’s Still Lifes (ca. 1920s)

“Quaint Dessert Dishes” in American Homes and Gardens (1911)

Henri Rivière’s Thirty-Six Views of the Eiffel Tower (1888–1902)

Too Computerised? Too Cold?: 1999 A.D. (1967)

“That’s Why We Become Witches”: Sylvia Townsend Warner’s Lolly Willowes (1926)

Birth of the Pearl (1901)

Cannibal Modernity: Oswald de Andrade’s Manifesto Antropófago (1928)

Through the Magnifying Glass: The Cheese Mites (1903)

Perspiration, Bilocation, and Plagiarisation: “The Heat Wave” (1929)

The “Private” Photographs of Bolette Berg and Marie Høeg (ca. 1895–1903)

The Language of Form: Lothar Schreyer’s Kreuzigung (1920)

Strings Attached: Helen Haiman Joseph’s A Book of Marionettes (1920)

Drawing on Tradition: Elena Izcue’s Peruvian Art in the School (1926)

Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition)