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Hunter Dukes is managing editor of The Public Domain Review and Cabinet.
The Art of Kite Flying (1430–1929)
Longitude by Way of Wounded Hounds: Kenelm Digby’s Sympathetick Powder (1669 edition)
Pyramid of the Capitalist System (1911)
Pigeons Transmogrified: Hannah Glasse’s Art of Cookery (1751 edition)
Sekka Zusetsu: A Book of Snowflakes (1832)
Flights of Fancy: The Nine Birds of Jacques de Fornazeris (1594)
A Prophet of the Weather: Lantern Slides by Clement Lindley Wragge (ca. 1900–22)
“That’s Why We Become Witches”: Sylvia Townsend Warner’s Lolly Willowes (1926)
A Treatise on the All-Healing Qualities of Earth Bathing (1790)
The Shadow of Desire: Painting the Origins of Art (ca. 1625–1850)
Flowers of Fealty: Wilhelm Dilich’s Commemoration of the Christening of Elisabeth of Hesse (1598)
Perspiration, Bilocation, and Plagiarisation: “The Heat Wave” (1929)
The “Private” Photographs of Bolette Berg and Marie Høeg (ca. 1895–1903)
Off with Their Heads: Illustrations of Blemmyes (ca. 1175–1724)
Charles Davy’s Conjectural Observations on the Origin and Progress of Alphabetic Writing (1772)
Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition)
“The Great Enigma of Our Times”: Henry George’s Poverty and Progress (1881 edition)
Charles Butler’s The Feminine Monarchie, or the History of Bees (1634 edition)
Nikolai Agnivtsev’s Little Screw (1925)
Oskar Kokoschka, Hermine Moos, and the Alma Mahler Doll
Sheet Mewsic: Moritz von Schwind’s Katzensymphonie (1868)
Bedded Bugs and Stung Beetles: The Cameraman’s Revenge (1912)
Ostrich Egg-Shell Cups of Mesopotamia and the Ostrich in Ancient and Modern Times (1926)
Master of Claude de France’s Book of Flower Studies (ca. 1510–1515)