Detail from a broadside about the press of Mexico, the heading of which reads “From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn’t even respect those that you see here on bicycle.” José Guadalupe Posada (1851 – 1913) was a Mexican illustrator known for his satirical and politically acute calaveras. Deriving from the Spanish word for “skulls”, these calaveras were illustrations featuring skeletons which would, after Posada’s death, become closely associated with the mexican holiday Día de los Muertos, the Day of the Dead. Most of these calaveras were published by the press of Antonio Vanegas Arroyo which produced inexpensive literature for the lower classes, including thousands of satirical broadsides which Posada illustrated. Through this focus on mortality Vanegas Arroyo and Posada satirised many poignant issues of the day, in particular the details of bourgeois life and the dictatorship of Porfirio Díaz. On January 20th 1913, 3 years after the start of the Mexican Revolution, José Guadalupe Posada died at his home in obscurity. He was penniless and buried in an unmarked grave. It was only years later in the 1920s that his work became recognised on a national and international level after it was championed by the French ex-patriot artist Jean Charlot who described Posada as “printmaker to the Mexican people”. (Image source: The Metropolitan Museum of Art)
Museum quality Giclee print printed using archival inks on premium fine art paper — 100% cotton, finely textured, and acid-free archival substrates purposefully chosen for optimal historical art reproduction. Orders for US and Canada will be printed on LexJet Sunset Textured Fine Art Paper (310gsm); Australian orders on Hahnemühle’s Photo Rag (188gsm); and all other orders on St Cuthbert Mill’s Somerset Enhanced Velvet (255gsm).
All frames are custom made to order.
- Solid wood with a 3/4″ face (and 1″ depth for US orders, 3/4“ elsewhere).
- 2” acid-free 4-ply natural white mat with beveled edges
- Shatterproof, high quality UV-shielding acrylic glazing
- Archival acid-free foam core backing
Why acrylic instead of glass? Although more expensive than glass, like most art-sellers and galleries we’ve chosen acrylic for its superior UV protection, and because it is also lighter and much less breakable — not only does this ensure it gets to you safely, but also handy for when you might want to move house in the future!
All prints, unframed and framed, will be expertly and securely packed to make sure they arrive in top condition.
|US, Canada, UK, EU, Australia||Everywhere else|
|Framed||$20||$30 for S, M, L, and $45 for XL.|
Last order dates for Christmas delivery
– US and Canada: 13th Dec (Unframed) and 12th Dec (Framed)
– UK: 13th Dec (Unframed) and 2nd Dec (Framed)
– EU and Australia: 9th Dec (Unframed) and 28th Nov (Framed)
– Africa/Asia: 25th Nov (Unframed), now too late for Framed.
– Everywhere else: 2nd Dec (Unframed) and 21st Nov (Framed)
All prints, framed and unframed, sent via tracked service. Unfortunately, we are unable to deliver to PO Boxes. Estimated delivery times from day of ordering are as follows:
- US and Canada — 6 to 14 business days
- Australia — 3 to 19 business days
- UK — 7 to 10 business days (unframed), 14 to 17 business days (framed)
- EU — 8 to 12 business days (unframed), 15 to 19 business days (framed)
- Everywhere else — 10 to 14 business days (unframed), 17 to 21 business days (framed)
If ordering to addresses outside of the US, UK, EU, Canada or Australia you may be required to pay duties and taxes to claim your package, depending on your local customs office.
As the prints are custom (made specifically for the image, size, and frame colour you have chosen) then we can only accept returns or refunds in the case of incorrect or damaged goods. For more info see our Returns Policy.