“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)

Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)

Flights of Fancy: The Nine Birds of Jacques de Fornazeris (1594)

Nature Morte: Chaïm Soutine’s Still Lifes (ca. 1920s)

Perverse, Grotesque, Sensuous, Inimitable: A Selection of Works by Aubrey Beardsley

Birth of the Pearl (1901)

The Shadow of Desire: Painting the Origins of Art (ca. 1625–1850)

Ivan Aivazovsky’s Miniature Seascapes (ca. 1887)

Cannibal Modernity: Oswald de Andrade’s Manifesto Antropófago (1928)

The Language of Form: Lothar Schreyer’s Kreuzigung (1920)

Strings Attached: Helen Haiman Joseph’s A Book of Marionettes (1920)

Drawing on Tradition: Elena Izcue’s Peruvian Art in the School (1926)

Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition)

Oskar Kokoschka, Hermine Moos, and the Alma Mahler Doll

Through a Glass Lushly: Michalina Janoszanka’s Reverse Paintings (ca. 1920s)

Perpetual Movement: Francis Picabia’s 391 Review (1917–1924)

Diagramming Dante: Michelangelo Caetani’s Maps of the Divina Commedia (1855/1872)

“Light from the Darkness”: Paul Nash’s Genesis (1924)

Paul Éluard and Max Ernst’s Les Malheurs des immortels (1922)

Looking Backward: Images of Rückenfiguren (ca. 1497–1925)

“Chinese Arabesques” by Jean-Baptiste Pillement and Anne Allen (ca. 1790–99)

The Little Journal of Rejects (1896)

Maria Catharina Prestel’s Printed Cabinet of Drawings (ca. 1780s)

A Family Tree: Hippolyte Hodeau’s Trench Art (ca. 1917)