Photographs of Atlantic City Sand Sculpture (ca. 1880–1920)

Genevieve Stebbins’ Delsarte System of Dramatic Expression (1886)

Harold A. Taylor’s Autochromes of California Flowers (early 20th century)

“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)

Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)

Flights of Fancy: The Nine Birds of Jacques de Fornazeris (1594)

Nature Morte: Chaïm Soutine’s Still Lifes (ca. 1920s)

Perverse, Grotesque, Sensuous, Inimitable: A Selection of Works by Aubrey Beardsley

Birth of the Pearl (1901)

The Shadow of Desire: Painting the Origins of Art (ca. 1625–1850)

Ivan Aivazovsky’s Miniature Seascapes (ca. 1887)

Cannibal Modernity: Oswald de Andrade’s Manifesto Antropófago (1928)

The Language of Form: Lothar Schreyer’s Kreuzigung (1920)

Strings Attached: Helen Haiman Joseph’s A Book of Marionettes (1920)

Drawing on Tradition: Elena Izcue’s Peruvian Art in the School (1926)

Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition)

Oskar Kokoschka, Hermine Moos, and the Alma Mahler Doll

Through a Glass Lushly: Michalina Janoszanka’s Reverse Paintings (ca. 1920s)

Perpetual Movement: Francis Picabia’s 391 Review (1917–1924)

Diagramming Dante: Michelangelo Caetani’s Maps of the Divina Commedia (1855/1872)

“Light from the Darkness”: Paul Nash’s Genesis (1924)

Paul Éluard and Max Ernst’s Les Malheurs des immortels (1922)

Looking Backward: Images of Rückenfiguren (ca. 1497–1925)

“Chinese Arabesques” by Jean-Baptiste Pillement and Anne Allen (ca. 1790–99)