Essays
“Unlimiting the Bounds”: the Panorama and the Balloon View
The second essay in a two-part series in which Lily Ford explores how balloon flight transformed our ideas of landscape. Here she looks at the phenomenon of the panorama, and how its attempts at creating the immersive view were inextricably linked to the new visual experience opened up by the advent of ballooning. more
“For the Sake of the Prospect”: Experiencing the World from Above in the Late 18th Century
The first essay in a two-part series in which Lily Ford explores how balloon flight transformed our ideas of landscape. We begin with a look at the unique set of images included in Thomas Baldwin's Airopaidia (1786) — the first "real" overhead aerial views. more
The Secret History of Holywell Street: Home to Victorian London’s Dirty Book Trade
Victorian sexuality is often considered synonymous with prudishness, conjuring images of covered-up piano legs and dark ankle-length skirts. Historian Matthew Green uncovers a quite different scene in the sordid story of Holywell St, 19th-century London's epicentre of erotica and smut. more
Frankenstein, the Baroness, and the Climate Refugees of 1816
It is two hundred years since "The Year Without a Summer", when a sun-obscuring ash cloud — ejected from one of the most powerful volcanic eruptions in recorded history — caused temperatures to plummet the world over. Gillen D’Arcy Wood looks at the humanitarian crisis triggered by the unusual weather, and how it offers an alternative lens through which to read Mary Shelley's Frankenstein, a book begun in its midst. more
Francis van Helmont and the Alphabet of Nature
Largely forgotten today in the shadow of his more famous father, the 17th-century Flemish alchemist Francis van Helmont influenced and was friends with the likes of Locke, Boyle, and Leibniz. While imprisoned by the Inquisition, in between torture sessions, he wrote his Alphabet of Nature on the idea of a universal “natural” language. Je Wilson explores. more
Copying Pictures, Evidencing Evolution
Copying — unoriginal, dull, and derivative by definition — can be creative, contested, and consequential in its effects. Nick Hopwood tracks Haeckel’s embryos, some of the most controversial pictures in the history of science, and explores how copying put them among the most widely seen. more
Frolicsome Engines: The Long Prehistory of Artificial Intelligence
Defecating ducks, talking busts, and mechanised Christs — Jessica Riskin on the wonderful history of automata, machines built to mimic the processes of intelligent life. more
George Washington at the Siamese Court
Keen to appear outward-looking and open to Western culture, in 1838 the Second King of Siam bestowed upon his son a most unusual name. Ross Bullen explores the curious case of “Prince George Washington”, a 19th-century Siamese prince. more
This year marks the 400th anniversary of the death of Miguel de Cervantes, author of one of the best-loved and most frequently illustrated books in the history of literature — Don Quixote. Rachel Schmidt explores how the varying approaches to illustrating the tale have reflected and impacted its reading through the centuries. more
Divine Comedy: Lucian Versus The Gods
With the twenty-six short comic dialogues that made up Dialogues of the Gods, the 2nd-century writer Lucian of Samosata took the popular images of the Greek gods and redrew them as greedy, sex-obsessed, power-mad despots. Nicholas Jeeves, editor of a new edition for PDR Press, explores the story behind the work and its reception in the English-speaking world. more
The Strange Case of Mr William T. Horton
Championed in his day by friend and fellow mystic W. B. Yeats, today the artist William T. Horton and his stark minimalistic creations are largely forgotten. Jon Crabb on a unique and unusual talent. more
The Anthropometric Detective and His Racial Clues
Ava Kofman explores how the spectre of race, in particular Francis Galton's disturbing theory of eugenics, haunts the early history of fingerprint technology. more
Who Says Michelangelo Was Right? Conflicting Visions of the Past in Early Modern Prints
When the lost classical sculpture Laocoön and His Sons — lauded as representing the very highest ideal of art — was dug up in 1506 with limbs missing, the authorities in Rome set about restoring it to how they imagined it once to look. Monique Webber explores how it was in reproductive prints that this vision was contested, offering a challenge to the mainstream interpretation of Antiquity. more
Robert Greene, the First Bohemian
Known for his debauched lifestyle, his flirtations with criminality, and the sheer volume of his output, the Elizabethan writer Robert Greene was a fascinating figure. Ed Simon explores the literary merits and bohemian traits of the man who penned the earliest known (and far from flattering) reference to Shakespeare as a playwright. more
Celebrated for his innovative wit, Oscar Wilde and the notion of originality are common bedfellows. The pairing, however, is not without its complications. Joseph Bristow and Rebecca N. Mitchell explore the claims of plagiarism that dogged Wilde's career, particularly as regards his relationship with that other great figure of late-19th-century Decadence, the American painter James McNeill Whistler. more
At the end of the 19th century, inspired by radical advances in technology, physicists asserted the reality of invisible worlds — an idea through which they sought to address not only psychic phenomena such as telepathy, but also spiritual questions around the soul and immortality. Philip Ball explores this fascinating history, and how in this turn to the unseen in the face of mystery there exists a parallel to quantum physics today. more
The Science of Life and Death in Mary Shelley’s Frankenstein
Professor Sharon Ruston surveys the scientific background to Mary Shelley's Frankenstein, considering contemporary investigations into resuscitation, galvanism, and the possibility of states between life and death. more
The Price of Suffering: William Pynchon and The Meritorious Price of Our Redemption
William Pynchon, earliest colonial ancestor of the novelist Thomas Pynchon, was a key figure in the early settlement of New England. He also wrote a book which became, at the hands of the Puritans it riled against, one of the first to be banned and burned on American soil. Daniel Crown explores. more
Hyperspace, ghosts, and colourful cubes — Jon Crabb on the work of Charles Howard Hinton and the cultural history of higher dimensions. more
Richard Spruce and the Trials of Victorian Bryology
Obsessed with the smallest and seemingly least exciting of plants — mosses and liverworts — the 19th-century botanist Richard Spruce never achieved the fame of his more popularist contemporaries. Elaine Ayers explores the work of this unsung hero of Victorian plant science and how his complexities echoed the very subject of his study. more
Deadly fogs, moralistic diatribes, debunked medical theory — Brett Beasley explores a piece of Victorian science fiction considered to be the first modern tale of urban apocalypse. more
Dr Mitchill and the Mathematical Tetrodon
One of the early Republic's great polymaths, New Yorker Samuel L. Mitchill was a man with a finger in many a pie, including medicine, science, natural history, and politics. Dr Kevin Dann argues that Mitchill's peculiar brand of curiosity can best be seen in his study of fish and the attention he gives one seemingly unassuming specimen. more
Tribal Life in Old Lyme: Canada’s Colorblind Chronicler and his Connecticut Exile
Abigail Walthausen explores the life and work of Arthur Heming, the Canadian painter who — having been diagnosed with colourblindness as a child — worked for most of his life in a distinctive palette of black, yellow, and white. more
When the Birds and the Bees Were Not Enough: Aristotle’s Masterpiece
Mary Fissell on how a wildly popular sex manual — first published in 17th-century London and reprinted in hundreds of subsequent editions — both taught and titillated through the early modern period and beyond. more
