caricature

Essays
The Eternal Guffaw: John Leech and The Comic History of Rome

The Eternal Guffaw: John Leech and The Comic History of Rome

At the beginning of the 1850s, two stalwarts from the heart of London-based satirical magazine Punch, Gilbert Abbott à Beckett and John Leech, cast their mocking eye a little further back in time and published The Comic History of Rome. Caroline Wazer explores how it is not in the text but rather in Leech's delightfully anachronistic illustrations that the book's true subversion lies, offering as they do a critique of Victorian society itself. more

Grandville, Visions, and Dreams

Grandville, Visions, and Dreams

With its dreamlike inversions and kaleidoscopic cast of anthropomorphic objects, animals, and plants, the world of French artist J. J. Grandville is at once both delightful and disquieting. Patricia Mainardi explores the unique work of this 19th-century illustrator now recognised as a major precursor and inspiration to the Surrealist movement. more

Of Pears and Kings

Of Pears and Kings

Images have long provided a means of protesting political regimes bent on censoring language. In the 1830s a band of French caricaturists, led by Charles Philipon, weaponized the innocent image of a pear to criticize the corrupt and repressive policies of King Louis-Philippe. Patricia Mainardi investigates the history of this early 19th-century meme. more

Little Boney: James Gillray and Napoleon’s Fragile Masculinity

Little Boney: James Gillray and Napoleon’s Fragile Masculinity

Of all the caricatures of Napoleon Bonaparte, representations of the French emperor as a miniscule megalomaniac continue to haunt the historical imagination to an unparalleled degree. Peter W. Walker searches for the origins of “Little Boney” in the early 19th-century caricatures of James Gillray, the English illustrator who took Napoleon down a peg by diminishing his reputation and scale to the point of absurdity. more