Strange Gods: Charles Fort’s Book of the Damned (1919)
Rains of blood and frogs, mysterious disappearances, baffling objects in the sky: these were the anomalies that fascinated Charles Fort in his Book of the Damned. “For every five people who read this book“, wrote one reviewer, “four will go insane”. Joshua Blu Buhs recounts Fort’s early life, unfinished manuscripts (“X”, “Y”), and the philosophical monism that informed his research. more
The Public Domain Review is dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas – focusing on works now fallen into the public domain, the vast commons of out-of-copyright material that everyone is free to enjoy, share, and build upon without restrictions.
“Magnificent … A model of digital curation”
The Guardian
“… a gold mine of fantastic images and stories.”
The New York Times
[Door creaks open. Footsteps]: Fredric Jameson’s Seminar on Aesthetic Theory
By meticulously translating his recordings of Jameson’s seminars into the theatrical idiom of the stage script, Octavian Esanu asks, playfully and tenderly, if we can see pedagogy as performance? Teaching and learning, about art — as a work of art? more