Perspiration, Bilocation, and Plagiarisation: “The Heat Wave” (1929)

The “Private” Photographs of Bolette Berg and Marie Høeg (ca. 1895–1903)

The Language of Form: Lothar Schreyer’s Kreuzigung (1920)

Strings Attached: Helen Haiman Joseph’s A Book of Marionettes (1920)

Drawing on Tradition: Elena Izcue’s Peruvian Art in the School (1926)

Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition)

Nikolai Agnivtsev’s Little Screw (1925)

Oskar Kokoschka, Hermine Moos, and the Alma Mahler Doll

Photographs of the Samaritan Passover on Mount Gerizim (1917)

Bedded Bugs and Stung Beetles: The Cameraman’s Revenge (1912)

Through a Glass Lushly: Michalina Janoszanka’s Reverse Paintings (ca. 1920s)

Ostrich Egg-Shell Cups of Mesopotamia and the Ostrich in Ancient and Modern Times (1926)

What Is It Like to Be a Bass? Fish-Eye View Photography (1919–22)

Reality Iced: Robert J. Flaherty’s Nanook of the North (1922)

Happy Together: The Laughing Prince: A Book of Jugoslav Fairy Tales and Folk Tales (1921)

Perpetual Movement: Francis Picabia’s 391 Review (1917–1924)

“How He Came to Life One Day”: Photographs of Snowmen (1854–1950)

Karel Čapek’s Letters from England (1925)

“Light from the Darkness”: Paul Nash’s Genesis (1924)

Paul Éluard and Max Ernst’s Les Malheurs des immortels (1922)

The American Colony of Jerusalem’s “Wild Flowers of Palestine” (ca. 1900–20)

The Plague of Lust: Being a History of Venereal Disease in Classical Antiquity (1901 edition)

Lonely Together: Paul Fejos’ Lonesome (1928)

A Bug’s Life: David and Marian Fairchild’s Book of Monsters (1914)