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Mathilde Montpetit is a PhD candidate in history at New York University, where she studies eunuchs in medieval West Africa and the Mediterranean. She lives in Berlin.
Genevieve Stebbins’ Delsarte System of Dramatic Expression (1886)
Covers from Cerîde-i Adliye, a Turkish Law Journal (1924–26)
“Plaything of the Gods”: Photographs of Pushball (early 1900s)
Diagrams from Willem ten Rhijne’s De Acupunctura (1683)
Broken Ground: The Fall of the House of Usher (1928)
Elizabeth I’s Manuscript Copy of Pierre Boaistuau’s Histoires Prodigieuses (1559)
“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)
Doing Impressions: Monet’s Early Caricatures (ca. late 1850s)
Charlotte Perkins Gilman’s Herland (1915)
Snail Homes, Bog Bodies, and Mechanical Flies: Robert Testard’s Illustrations for Les secretz de l’histoire naturelle (ca. 1485)
Autobiography of a “Jeep” (1943)
Peter Kropotkin’s Memoirs of a Revolutionist (1899)
Nature Morte: Chaïm Soutine’s Still Lifes (ca. 1920s)
Deceit and Disrobing: The Schefer Maqāmāt (BNF Arabe 5847, ca. 1237)
“Quaint Dessert Dishes” in American Homes and Gardens (1911)
Paramaribo and the Plantation: Gerrit Schouten’s Dioramas of Suriname (1810–30)
The Nature of the Beast: Charles le Brun’s Human-Animal Hybrids (1806)
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