Sensitive Material: Wordsworth Donisthorpe, Blackmail, and the First Motion Pictures

By Irfan Shah

The story of early cinema may have been different had Wordsworth Donisthorpe been better at blackmail. Irfan Shah goes digging in the archives to recover the details of this forgotten polymath — political individualist, chess reformer, inventor of a peculiar kind of film camera — and finds a fierce debate about the history of English wool combing improbably implicated in the rise of motion pictures. more

From Fire Hazards to Family Trees: The Sanborn Fire Insurance Maps

By Tobiah Black

Created for US insurance firms during a period of devastating fires across the 19th and 20th centuries, the Sanborn maps blaze with detail — shops, homes, churches, brothels, and opium dens were equally noted by the company’s cartographers. Tobiah Black explores the history and afterlife of these maps, which have been reclaimed by historians and genealogists seeking proof of the vanished past. more

“You Are My Friend”: Early Androids and Artificial Speech

By Jessica Riskin

Centuries before audio deepfakes and text-to-speech software, inventors in the eighteenth century constructed androids with swelling lungs, flexible lips, and moving tongues to simulate human speech. Jessica Riskin explores the history of such talking heads, from their origins in musical automata to inventors’ quixotic attempts to make machines pronounce words, converse, and declare their love. more

Same as It Ever Was?: Eternal Recurrence in Ancient Greek and Roman Philosophy

By Claire Hall

While Friedrich Nietzsche popularised the notion of an “eternal return” — in which one’s life would occur again, forever, exactly as it did before — the concept was itself a repetition. Claire Hall explores various shades of this idea in ancient philosophy, from Pythagorean metempsychosis to Stoic predictions about a cosmological reset. more

Professor Megalow’s Dinosaur Bones: Richard Owen and Victorian Literature

By Richard Fallon

Richard Owen, the Victorian scientist who first named the “dinosaurs”, claimed that he could identify an animal, even an extinct one, from inspecting a single bone. Richard Fallon revisits other Owen-inspired fictions — by R. D. Blackmore, William Makepeace Thackeray, and Charles Kingsley — and finds literature layered with scientific, religious, and political interventions, spurred by the discovery of prehistoric life. more

Pseudo-Boccaccio, Yiddish Pulp Fiction, and the Man Who Ripped Off Joyce

By Jonah Lubin and Maria Laurids Lazzarotti

In 1927, a pair of lurid “translations” appeared in English, marketed as authentic tales by Giovanni Boccaccio and illustrated with supposedly new works by Aubrey Beardsley. Jonah Lubin and Maria Laurids Lazzarotti search for the origin of these fakes, in which illicit sex begets terrible violence, and uncover a story involving pseudotranslation, Yiddish shund literature, and the piracy king of literary modernism, Samuel Roth. more

Windows Onto History: The Defenestrations of Prague (1419–1997)

By Thom Sliwowski

Throwing people out of windows (or defenestrating them, as the Latin has it) is an act imbued with longstanding political significance in Prague. From the Hussite revolt in the late Middle Ages through the Thirty Years’ War to modern instances of “autodefenestration”, Thom Sliwowski finds a national shibboleth imbued with ritual efficacy. more

Little Boney: James Gillray and Napoleon’s Fragile Masculinity

By Peter W. Walker

Of all the caricatures of Napoleon Bonaparte, representations of the French emperor as a miniscule megalomaniac continue to haunt the historical imagination to an unparalleled degree. Peter W. Walker searches for the origins of “Little Boney” in the early 19th-century caricatures of James Gillray, the English illustrator who took Napoleon down a peg by diminishing his reputation and scale to the point of absurdity. more

From Snowdrop to Nightjar: Robert Marsham’s “Indications of Spring” (1789)

By Hugh Aldersey-Williams

What can we learn from observing the progression of spring — a hawthorn’s first flowering, the return of birdsong on a particular day? Hugh Aldersey-Williams explores the lifelong calendrical project of Robert Marsham, the Norfolk naturalist considered Britain's first phenologist. more

“The Substantiality of Spirit”: Georgiana Houghton’s Pictures from the Other Side

By Jennifer Higgie

When Georgiana Houghton first exhibited her paintings at a London gallery in 1871, their wild eddies of colour and line were unlike anything the public had seen before — nor would see again until the rise of abstract art decades later. But there was little intentionally abstract about these images: Houghton painted entities she met in the spirit regions. Viewing her works through the prism of friendship, loss, and faith, Jennifer Higgie turns overdue attention on an artist neglected by historians, a visionary who believed that death was not the end, merely a new distance to overcome. more

Eugène-François Vidocq and the Birth of the Detective

By Daisy Sainsbury

According to his memoirs, Eugène-François Vidocq escaped from more than twenty prisons (sometimes dressed as a nun). Working on the other side of the law, he apprehended some 4000 criminals with a team of plainclothes agents. He founded the first criminal investigation bureau — staffed mainly with convicts — and, when he was later fired, the first private detective agency. He was one the fathers of modern criminology and had a rap sheet longer than his very tall tales. Who was Vidocq? Daisy Sainsbury investigates. more

Through the Cheval Glass: Reproduction in the Photographs of Clementina Hawarden

By Stassa Edwards

Soon after Clementina Hawarden began taking photographs in the mid-19th century, her eye caught on doubles, reflections, her daughters glimpsed in the mirror. Stassa Edwards examines the role that reproduction — photographic, biological — plays in this oeuvre, and searches for the only person not captured clearly: Hawarden herself. more