Essays

“I Am Making the World My Confessor”: Mary MacLane, the Wild Woman from Butte

“I Am Making the World My Confessor”: Mary MacLane, the Wild Woman from Butte

In 1902, a woman named Mary MacLane from Butte, Montana, became an international sensation after publishing a scandalous journal at the age of 19. Rereading this often-forgotten debut, Hunter Dukes finds a voice that hungers for worldly experience, brims with bisexual longing, and rages against the injustices of youth. more

Every two weeks we publish a new long-form essay offering insight and reflection upon the oft overlooked histories which surround public domain works. Our contributors range from award-winning authors such as Philip Pullman and Marina Warner to PhD students sharing unusual finds.

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Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss’ Retrofuturism

Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss’ Retrofuturism

In the early twentieth century, architects turned to a newly discovered past to craft novel visions of the future: the ancient history of Mesopotamia. Eva Miller traces how both the mythology of Babel and reconstructions of stepped-pyramid forms influenced skyscraper design, speculative cinema in the 1910s and 20s, and, above all else, the retrofuturist dreams of Hugh Ferriss, architectural delineator extraordinaire. more

Jack London, Jack Johnson, and the Fight of the Century

Jack London, Jack Johnson, and the Fight of the Century

Held in Jim Crow–era Nevada on the 4th of July, the 1910 World Heavyweight Championship was slated to be a fight to remember. Moonlighting as a boxing journalist, novelist Jack London cheered on Jim Jeffries — ringside and on the page — as the “Great White Hope", a contender to take back the title from Jack Johnson, the first Black heavyweight champion. Andrew Rihn examines the contradictions of London’s racial rhetoric, which is more complex and convoluted than it may initially appear. more

A Princely Ploy: Inside the Ruse of a French-Armenian Scammer

A Princely Ploy: Inside the Ruse of a French-Armenian Scammer

After proclaiming himself the direct descendant of a 12th-century Crusader king, the Armenian priest and educator Ambroise Calfa hit upon an ignoble scheme: grant knighthood to anyone willing to pay. Jennifer Manoukian recovers the cunning exploits of this forgotten 19th-century conman, whose initially honorable intentions quickly escalated into all-out fraud. more

The Emperor’s New Clothes: Fashion, Politics, and Identity in Mughal South Asia

The Emperor’s New Clothes: Fashion, Politics, and Identity in Mughal South Asia

The Mughal emperors in India faced a sartorial quandary: continue wearing their traditional Central Asian attire, or adopt the lighter cotton clothing of this warmer clime? Simran Agarwal considers the cultural, political, and theological implications of embracing Indic fashion, arguing that — by donning the clothing of their subjects — the Mughal emperors fashioned themselves anew. more

The Cat’s Meat Man: Feeding Felines in Victorian London

The Cat’s Meat Man: Feeding Felines in Victorian London

As cats evolved from feral ratters into beloved Victorian companions, a nascent pet-food economy arose on the carts of so-called “cat’s meat men”. Kathryn Hughes explores the life and times of these itinerant offal vendors, their intersection with a victim of Jack the Ripper, and a feast held in the meat men’s honor, chaired by none other than Louis Wain. more

“Relaxations for the Impotent”: Ben Hecht’s *Fantazius Mallare* and the Contradictions of American Smut

“Relaxations for the Impotent”: Ben Hecht’s Fantazius Mallare and the Contradictions of American Smut

J.-K. Huysmans pastiche? Formative influence on Allen Ginsberg’s Howl? Ben Hecht’s Fantazius Mallare (1922) is at turns obtuse, grotesque, and moralizing — and sought to provoke the obscenity trial of the century. Only it didn’t, quietly vanishing instead. Colin Dickey rereads this failed satire, finding a transcendent rhythm pulsing beneath the novel’s indulgent prose. more

Designing the Sublime: Boullée and Ledoux’s Architectural Revolution

Designing the Sublime: Boullée and Ledoux’s Architectural Revolution

As dissatisfaction with the old regime fermented into revolutionary upheaval in late-eighteenth century France, two architects cast off the decorative excesses of the Baroque and Rococo styles and sought out bold, new geometries. Hugh Aldersey-Williams tours the sublime and mostly unrealized designs of Étienne-Louis Boullée and Claude-Nicolas Ledoux, discovering utopian ideals crafted in cubes, spheres, and pyramids. more

The Color of Memory: Albert Kahn’s Archives of the Planet

The Color of Memory: Albert Kahn’s Archives of the Planet

By the time of Albert Kahn’s death in 1940, the French banker and philanthropist had amassed a collection of more than 72,000 autochrome photographs. Grace Linden explores the Archives de la Planète — his sprawling, global project to document and preserve the fast-changing world — and uncovers a latent nostalgia in the hyperreal hues of early color photography. more

Strange Gods: Charles Fort’s *Book of the Damned* (1919)

Strange Gods: Charles Fort’s Book of the Damned (1919)

Rains of blood and frogs, mysterious disappearances, baffling objects in the sky: these were the anomalies that fascinated Charles Fort in his Book of the Damned. “For every five people who read this book“, wrote one reviewer, “four will go insane”. Joshua Blu Buhs recounts Fort’s early life, unfinished manuscripts (“X”, “Y”), and the philosophical monism that informed his research. more

“Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study

“Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study

Reading is a form of necromancy, a way to summon and commune once again with the dead, but in what ersatz temple should such a ritual take place? Andrew Hui tracks the rise of the private study by revisiting the bibliographic imaginations of Machiavelli, Montaigne, and W. E. B. Du Bois, and finds a space where words mediate the world and the self. more

“To Eat This Big Universe as Her Oyster”: Margaret Fuller and the First Major Work of American Feminism

“To Eat This Big Universe as Her Oyster”: Margaret Fuller and the First Major Work of American Feminism

“As a nature to grow, as an intellect to discern, as a soul to live freely and unimpeded” — this is the kind of life envisioned by Margaret Fuller in Woman in the Nineteenth Century (1845). With an ear attuned to the transcendentalist’s inimitable voice, Randall Fuller revisits the intellectual context, interviews with female prison inmates, and personal longing that informed this landmark feminist work. more

The Man and *The Crowd* (1928): Photography, Film, and Fate

The Man and The Crowd (1928): Photography, Film, and Fate

“Make films about the people, they said”, Jean-Luc Godard once quipped, “but The Crowd had already been made, so why remake it?” Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity. more