Essays
Painting

Filling in the Blanks: A Prehistory of the Adult Coloring Craze

Filling in the Blanks: A Prehistory of the Adult Coloring Craze

Its dizzy heights may have passed, but the fad for adult coloring books is far from over. Many trace the origins of such publications to a wave of satirical colouring books published in the 1960s, but as Melissa N. Morris and Zach Carmichael explore, the existence of such books, and the urge to colour the printed image, goes back centuries. more

Iconology of a Cardinal: Was Wolsey Really so Large?

Iconology of a Cardinal: Was Wolsey Really so Large?

Characterised as manipulative, power-hungry, and even an alter rex, Henry VIII's right-hand man Cardinal Thomas Wolsey has been typically depicted with a body mass to rival his political weight. Katherine Harvey asks if he was really the glutton of popular legend, and what such an image reveals about the link between the body, reputation, and power in Tudor England. more

Gustav Wunderwald’s Paintings of Weimar Berlin

Gustav Wunderwald’s Paintings of Weimar Berlin

The Berlin of the 1920s is often associated with a certain image of excess and decadence, but it was a quite different side of the city — the sobriety and desolation of its industrial and working-class districts — which came to obsess the painter Gustav Wunderwald. Mark Hobbs explores. more

Tribal Life in Old Lyme: Canada’s Colorblind Chronicler and his Connecticut Exile

Tribal Life in Old Lyme: Canada’s Colorblind Chronicler and his Connecticut Exile

Abigail Walthausen explores the life and work of Arthur Heming, the Canadian painter who — having been diagnosed with colourblindness as a child — worked for most of his life in a distinctive palette of black, yellow, and white. more

Black on Black

Black on Black

Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought. more

Sex and Science in Robert Thornton's Temple of Flora

Sex and Science in Robert Thornton's Temple of Flora

Bridal beds, blushing captives, and swollen trunks - Carl Linnaeus' taxonomy of plants heralded a whole new era in 18th-century Europe of plants being spoken of in sexualised terms. Martin Kemp explores* how this association between the floral and erotic reached its visual zenith in Robert Thornton's exquisitely illustrated Temple of Flora. more

Victorian Occultism and the Art of Synesthesia

Victorian Occultism and the Art of Synesthesia

Grounded in the theory that ideas, emotions, and even events, can manifest as visible auras, Annie Besant and Charles Leadbeater’s Thought-Forms (1901) is an odd and intriguing work. Benjamin Breen explores these “synesthetic” abstractions and asks to what extent they, and the Victorian mysticism of which they were born, influenced the Modernist movement that flourished in the following decades. more

Olaus Magnus’ Sea Serpent

Olaus Magnus’ Sea Serpent

The terrifying Great Norway Serpent, or Sea Orm, is the most famous of the many influential sea monsters depicted and described by 16th-century ecclesiastic, cartographer, and historian Olaus Magnus. Joseph Nigg, author of Sea Monsters, explores the iconic and literary legacy of the controversial serpent from its beginnings in the medieval imagination to modern cryptozoology. more

The Serious and the Smirk: The Smile in Portraiture

The Serious and the Smirk: The Smile in Portraiture

Why do we so seldom see people smiling in painted portraits? Nicholas Jeeves explores the history of the smile through the ages of portraiture, from Da Vinci's Mona Lisa to Alexander Gardner's photographs of Abraham Lincoln. more

Joseph Banks: Portraits of a Placid Elephant

Joseph Banks: Portraits of a Placid Elephant

Patricia Fara traces the changing iconography of Joseph Banks, the English botanist who travelled on Captain Cook's first great voyage and went on to become President of the Royal Society and important patron for a whole host of significant developments in the natural sciences. more

John Martin and the Theatre of Subversion

John Martin and the Theatre of Subversion

Max Adams, author of The Prometheans, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings. more

Seeing Joyce

Seeing Joyce

The "Bloomsday" of 2012 - 108 years after Leopold Bloom took his legendary walk around Dublin on the 16th June 1904 - was the first since the works of James Joyce entered the public domain. Frank Delaney asks whether we should perhaps now stop trying to read Joyce and instead make visits to him as to a gallery. more

Painting the New World

Painting the New World

In 1585 the Englishman John White, governor of one of the very first North American colonies, made a series of exquisite watercolour sketches of the native Algonkin people alongside whom the settlers would try to live. Benjamin Breen explores the significance of the sketches and their link to the mystery of what became known as the "Lost Colony". more

Richard Dadd’s Master-Stroke

Richard Dadd’s Master-Stroke

Nicholas Tromans, author of Richard Dadd: The Artist and the Asylum, takes a look at Dadd's most famous painting The Fairy Feller’s Master-Stroke. more

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