Moonblight and Six Feet of Romance: Dan Carter Beard’s Foray into Fiction

By Abigail Walthausen

An esoteric disease which reveals things in their true light; three pairs of disembodied feet galavanting about the countryside - Abigail Walthausen explores the brief but strange literary career of Daniel Carter Beard, illustrator for Mark Twain and a founding father of the Boy Scouts of America. more

Harry Clarke’s Looking Glass

By Kelly Sullivan

With their intricate line and often ghoulish tone, the works of Irish artist Harry Clarke are amongst the most striking in the history of illustration and stained glass design. Kelly Sullivan explores how, unknown to many at the time, Clarke took to including his own face in many of his pictures. more

Defining the Demonic

By Ed Simon

Although Jacques Collin de Plancy’s Dictionnaire infernal, a monumental compendium of all things diabolical, was first published in 1818 to much success, it is the fabulously illustrated final edition of 1863 which secured the book as a landmark in the study and representation of demons. Ed Simon explores the work and how at its heart lies an unlikely but pertinent synthesis of the Enlightenment and the occult. more

Pods, Pots, and Potions: Putting Cacao to Paper in Early Modern Europe

By Christine Jones

Christine Jones explores the different ways the cacao tree has been depicted through history — from 16th-century codices to 18th-century botanicals — and what this changing iconography reveals about cacao’s journey into European culture. more

Grandville, Visions, and Dreams

By Patricia Mainardi

With its dreamlike inversions and kaleidoscopic cast of anthropomorphic objects, animals, and plants, the world of French artist J. J. Grandville is at once both delightful and disquieting. Patricia Mainardi explores the unique work of this 19th-century illustrator now recognised as a major precursor and inspiration to the Surrealist movement. more

Picturing Pregnancy in Early Modern Europe

By Rebecca Whiteley

When the womb began to appear in printed images during the 16th century, it was understood through analogy: a garden, uroscopy flask, or microcosm of the universe. Rebecca Whiteley explores early modern birth figures, which picture the foetus in utero, and discovers an iconic form imbued with multiple kinds of knowledge: from midwifery know-how to alchemical secrets, astrological systems to new anatomical findings. more