What Makes Franz Liszt Still Important?

By Leon Botstein

This week sees the 200th anniversary of the birth of Franz Liszt. Leon Botstein, President of Bard College and music director and principal conductor of the American Symphony Orchestra, explores what we can still learn from the life and music of Liszt. more

Almost as Good as Presley: Caruso the Pop Idol

By John Potter

When he died in 1921 the singer Enrico Caruso left behind him approximately 290 commercially released recordings, and a significant mark upon on the opera world including more than 800 appearances at the New York Met. John Potter, singer and author of Tenor: History of a Voice, explores Caruso's popular appeal and how he straddled the divide between 'pop' and 'classical'. more

Simple Songs: Virginia Woolf and Music

By Emma Sutton

Last year saw the works of Virginia Woolf enter the public domain in many countries around the world. To celebrate Emma Sutton looks at Woolf's short story "A Simple Melody" and the influence which music had upon the writer who once wrote that music was "nearest to truth". more

Cat Pianos, Sound-Houses, and Other Imaginary Musical Instruments

By Thomas Patteson and Deirdre Loughridge

Deirdre Loughridge and Thomas Patteson, curators of the Museum of Imaginary Musical Instruments, explore the wonderful history of made-up musical contraptions, including a piano comprised of yelping cats and Francis Bacon's 17th-century vision of experimental sound manipulation. more

Music Manuscripts from the 17th and 18th Centuries in the British Library

By Dr. Sandra Tuppen

THE BRITISH LIBRARY - Sandra Tuppen explores some highlights from their digitised collection of music manuscripts, including those penned by the hand of Haydn, Handel, Purcell, and a very messy Beethoven. more

Music of the Squares: David Ramsay Hay and the Reinvention of Pythagorean Aesthetics

By Carmel Raz

Understanding the same laws to apply to both visual and aural beauty, David Ramsay Hay thought it possible not only to analyse such visual wonders as the Parthenon in terms of music theory, but also to identify their corresponding musical harmonies and melodies. Carmel Raz on the Scottish artist’s original, idiosyncratic, and occasionally bewildering aesthetics. more

Picturing a Voice: Margaret Watts Hughes and the Eidophone

By Rob Mullender-Ross

Of the various forms the nascent art of sound recording took in the late nineteenth century perhaps none was so aesthetically alluring as that invented by Margaret Watts Hughes. Rob Mullender-Ross explores the significance of the Welsh singer’s ingenious set of images, which until recently were thought to be lost. more