Professor Megalow’s Dinosaur Bones: Richard Owen and Victorian Literature

By Richard Fallon

Richard Owen, the Victorian scientist who first named the “dinosaurs”, claimed that he could identify an animal, even an extinct one, from inspecting a single bone. Richard Fallon revisits other Owen-inspired fictions — by R. D. Blackmore, William Makepeace Thackeray, and Charles Kingsley — and finds literature layered with scientific, religious, and political interventions, spurred by the discovery of prehistoric life. more

Pseudo-Boccaccio, Yiddish Pulp Fiction, and the Man Who Ripped Off Joyce

By Jonah Lubin and Maria Laurids Lazzarotti

In 1927, a pair of lurid “translations” appeared in English, marketed as authentic tales by Giovanni Boccaccio and illustrated with supposedly new works by Aubrey Beardsley. Jonah Lubin and Maria Laurids Lazzarotti search for the origin of these fakes, in which illicit sex begets terrible violence, and uncover a story involving pseudotranslation, Yiddish shund literature, and the piracy king of literary modernism, Samuel Roth. more

Windows Onto History: The Defenestrations of Prague (1419–1997)

By Thom Sliwowski

Throwing people out of windows (or defenestrating them, as the Latin has it) is an act imbued with longstanding political significance in Prague. From the Hussite revolt in the late Middle Ages through the Thirty Years’ War to modern instances of “autodefenestration”, Thom Sliwowski finds a national shibboleth imbued with ritual efficacy. more

Little Boney: James Gillray and Napoleon’s Fragile Masculinity

By Peter W. Walker

Of all the caricatures of Napoleon Bonaparte, representations of the French emperor as a miniscule megalomaniac continue to haunt the historical imagination to an unparalleled degree. Peter W. Walker searches for the origins of “Little Boney” in the early 19th-century caricatures of James Gillray, the English illustrator who took Napoleon down a peg by diminishing his reputation and scale to the point of absurdity. more

From Snowdrop to Nightjar: Robert Marsham’s “Indications of Spring” (1789)

By Hugh Aldersey-Williams

What can we learn from observing the progression of spring — a hawthorn’s first flowering, the return of birdsong on a particular day? Hugh Aldersey-Williams explores the lifelong calendrical project of Robert Marsham, the Norfolk naturalist considered Britain's first phenologist. more

“The Substantiality of Spirit”: Georgiana Houghton’s Pictures from the Other Side

By Jennifer Higgie

When Georgiana Houghton first exhibited her paintings at a London gallery in 1871, their wild eddies of colour and line were unlike anything the public had seen before — nor would see again until the rise of abstract art decades later. But there was little intentionally abstract about these images: Houghton painted entities she met in the spirit regions. Viewing her works through the prism of friendship, loss, and faith, Jennifer Higgie turns overdue attention on an artist neglected by historians, a visionary who believed that death was not the end, merely a new distance to overcome. more

Eugène-François Vidocq and the Birth of the Detective

By Daisy Sainsbury

According to his memoirs, Eugène-François Vidocq escaped from more than twenty prisons (sometimes dressed as a nun). Working on the other side of the law, he apprehended some 4000 criminals with a team of plainclothes agents. He founded the first criminal investigation bureau — staffed mainly with convicts — and, when he was later fired, the first private detective agency. He was one the fathers of modern criminology and had a rap sheet longer than his very tall tales. Who was Vidocq? Daisy Sainsbury investigates. more

Through the Cheval Glass: Reproduction in the Photographs of Clementina Hawarden

By Stassa Edwards

Soon after Clementina Hawarden began taking photographs in the mid-19th century, her eye caught on doubles, reflections, her daughters glimpsed in the mirror. Stassa Edwards examines the role that reproduction — photographic, biological — plays in this oeuvre, and searches for the only person not captured clearly: Hawarden herself. more

Liberal Visions and Boring Machines: The Early History of the Channel Tunnel

By Peter Keeling

More than a century before the Eurostar and LeShuttle, a group of engineers and statesmen dreamed (and fretted) about connecting Britain to France with an underwater tunnel. Peter Keeling drills into the history of this submarine link, and finds a still-relevant story about the cosmopolitan hopes and isolationist panic surrounding liberal internationalism. more

Rhapsodies in Blue: Anna Atkins’ Cyanotypes

By Paige Hirschey

In an era when the Enlightenment’s orderly vision of the natural world began to unravel, Anna Atkins produced the world’s first photography book: a collection of cyanotypes, created across a decade beginning in 1843, that captured algal forms in startling blue-and-white silhouettes. Paige Hirschey situates Atkins’ efforts among her naturalist peers, discovering a form of illustration that, rather than exhibit an artist’s mastery over nature, allowed specimens to “illustrate” themselves. more

Cliché-Verre and Friendship in 19th-Century France

By Miya Tokumitsu

In the 1850s, as photography took its first steps toward commercial reproducibility, a more intimate use for light-sensitive plates briefly bloomed. It had a few names: heliographic drawing, photographic autography, or, as it is best known today, cliché-verre. Miya Tokumitsu takes us to the towns and forests of France where a group of friends began making marks on photographic plates, and finds their camaraderie cohere in lyrical arrangements of topography and light. more

The Reluctant Levitator: Teresa of Avila’s Humble Raptures

By Carlos M. N. Eire

Levitation was the last thing Teresa of Avila wanted. It drew the wrong kind of attention and embarrassed her in public. She tried to remain grounded, clinging to furniture when the weightlessness set in, and then suddenly, it stopped for good. Carlos Eire reads Teresa's autobiographic Vida and finds the 16th-century saint complaining to God about the aethrobatic miracles that he forced her to endure. more

The Silent Treatment: Solitary Confinement’s Unlikely Origins

By Jane Brox

Characterised today by the noise of banging, buzzers, and the cries of inmates, solitary confinement was originally developed from Quaker ideas about the redemptive power of silence, envisioned as a humane alternative to the punitive violence of late-18th century jails. Revisiting Pennsylvania’s Eastern State Penitentiary, Jane Brox discovers the spiritual origins and reformist ambitions of solitary’s early advocates, and sees their supposedly progressive desires come to ruin by the 20th century. more

Marked by Stars: Agrippa’s Occult Philosophy

By Anthony Grafton

Reading Heinrich Cornelius Agrippa’s encyclopedic study of magic is like stumbling into a vast cabinet of curiosities, where toad bones boil water, witches transmit misery through optical darts, and numbers, arranged correctly, can harness the planets’ powers. Anthony Grafton explores the Renaissance polymath’s occult insights into the structure of the universe, discovering a path that leads both upward and downward: up toward complete knowledge of God, and down into every order of being on earth. more

Free Speech and Bad Meats: The Domestic Labour of Reading in Milton’s Areopagitica

By Katie Kadue

Does a healthy intellectual culture resemble a battlefield or a kitchen? Revisiting Milton’s Areopagitica, a tract often championed by today’s free speech absolutists, Katie Kadue finds a debt to the work of early modern housewives. In their labours to preserve food and transform it into wholesome cuisine, Milton saw an analogue for how the reading public might digest books — good and bad alike — into nourishing ideas. more

Liquid Bewitchment: Gin Drinking in England, 1700–1850

By James Brown

The introduction of gin to England was a delirious and deleterious affair, as tipplers reported a range of effects: loss of reason, frenzy, madness, joy, and death. With the help of prints by George Cruikshank, William Hogarth, and others, James Brown enters the architecture of intoxication — dram shops, gin halls, barbershops — exploring the spaces that catered to pleasure or evil, depending who you asked. more

Travelling Tales: Kalīlah wa-Dimnah and the Animal Fable

By Marina Warner

Influencing numerous later animal tales told around the world, the 8th-century Arabic fables of Ibn al-Muqaffaʿ’s Kalīlah wa-Dimnah also inspired a rich visual tradition of illustration: jackals on trial, airborne turtles, and unlikely alliances between species. Marina Warner follows these stories as they wander and change across time and place, celebrating their sharp political observation and stimulating mix of humour, earnesty, and melancholy. more

Radioactive Fictions: Marie Corelli and the Omnipotence of Thoughts

By Steven Connor

Outselling books by Arthur Conan Doyle and H. G. Wells in their day, Marie Corelli’s occult romance novels brim with fantasies of telepathy, mesmerism, and radioactivity. Steven Connor revisits The Life Everlasting (1911), where the recent discovery of radium shapes the mechanics of phantasmal machines and psychic forces able to pass through all impediments. more

Wonder and Pleasure in the Oude Doolhof of Amsterdam

By Angela Vanhaelen

For almost 250 years, a mysterious pleasure park sat on the banks of Amsterdam's canals. Angela Vanhaelen leads us on a tour of the bawdy fountains, disorienting maze, and mechanical androids in the Oude Doolhof — an attraction that mingled pagan, protestant, and imperial desires. more

The Black Dandy of Buenos Aires: Racial Fictions and the Search for Raúl Grigera

By Paulina L. Alberto

A mysterious staple of Buenos Aires nightlife in the 1910s and 20s, Raúl Grigera was an audacious Afro-Argentine dandy, an eccentric bohemian icon, a man who called himself el murciélago (the bat). Paulina L. Alberto examines the racial stories told by photographs, comic strips, and newspaper articles about a person many knew only as “el negro Raúl”, searching for the life behind the legend. more

Marvellous Moderns: The Brothers Perrault

By Hugh Aldersey-Williams

Charles Perrault is celebrated as the collector of some of the world’s best-known fairy tales. But his brothers were just as remarkable: Claude, an architect of the Louvre, and Pierre, who discovered the hydrological cycle. As Hugh Aldersey-Williams explores, all three were able to use positions within the orbit of the Sun King to advance their modern ideas about the world. more

The Ether Dreams of Fin-de-Siècle Paris

By Mike Jay

Those who sipped or sniffed ether and chloroform in the 19th century experienced a range of effects from these repurposed anaesthetics, including preternatural mental clarity, psychological hauntings, and slippages of space and time. Mike Jay explores how the powerful solvents shaped the writings of Guy de Maupassant and Jean Lorrain — psychonauts who opened the door to an invisible dimension of mind and suffered Promethean consequences. more

Troubled Waters: Reading Urine in Medieval Medicine

By Katherine Harvey

From cabbage green to coarse meal, medieval manuscripts exhibit a spectrum of colours and consistencies when describing urine. Katherine Harvey examines the complex practices of uroscopy: how physicians could divine sexual history, disease, and impending death by studying the body's liquid excretions. more

The City That Fell Off a Cliff

By Matthew Green

Beneath the waves, off the Suffolk Coast, lies a city taken by the sea through centuries of erosion. Matthew Green revisits Dunwich, a once lively port transfigured into a symbol of loss, both eerie and profound, for generations of artists, poets, and historians drawn to its ruinous shores. more