
EssaysPhilosophy & Ideas

Art in Art: Cabinets of Curiosity and the Rise of the Gallery Painting
In the 17th century, emanating from Antwerp, a new genre of artwork came on the scene: paintings of paintings, works populated by a lush array of meta-images. From its origins in picturing private curiosity cabinets to its later use in documenting increasingly public collections, Thea Applebaum Licht charts the course of this alluring aesthetic tradition. more
The Adventures and Experiences of the First Slovak Novel
Partially banned upon publication and translated into English for the first time this year, René, or: A Young Man’s Adventures and Experiences (1783–85) found new readers in the communist era thanks to its critiques of feudalism, capitalism, and the Catholic Church. Dobrota Pucherová introduces us to this hybrid work, which mixes the bildungsroman with the philosophical novel, the romance, the adventure story, the travelogue, the history book, and the orientalist fantasy. more
Watching the World in a Dark Room: The Early Modern Camera Obscura
Centuries before photography froze the world into neat frames, scientists, poets, and artists streamed transient images into dark interior spaces with the help of a camera obscura. Julie Park explores the early modern fascination with this quasi-spiritual technology and the magic, melancholy, and dream-like experiences it produced. more

Strange Gods: Charles Fort’s Book of the Damned (1919)
Rains of blood and frogs, mysterious disappearances, baffling objects in the sky: these were the anomalies that fascinated Charles Fort in his Book of the Damned. “For every five people who read this book“, wrote one reviewer, “four will go insane”. Joshua Blu Buhs recounts Fort’s early life, unfinished manuscripts (“X”, “Y”), and the philosophical monism that informed his research. more





