
EssaysArt & Illustration
Joseph Banks: Portraits of a Placid Elephant
Patricia Fara traces the changing iconography of Joseph Banks, the English botanist who travelled on Captain Cook's first great voyage and went on to become President of the Royal Society and important patron for a whole host of significant developments in the natural sciences. more
The Redemption of Saint Anthony
Gustave Flaubert, best known for his masterpiece Madame Bovary, spent nearly thirty years working on a surreal and largely 'unreadable' retelling of the temptation of Saint Anthony. Colin Dickey explores how it was only in the dark and compelling illustrations of Odilon Redon, made years later, that Flaubert's strangest work finally came to life. more

With his enormous range of scholarly pursuits the 17th-century polymath Athanasius Kircher has been hailed as the last Renaissance man and "the master of hundred arts". John Glassie looks at one of Kircher's great masterworks Mundus Subterraneus and how it was inspired by a subterranean adventure Kircher himself made into the bowl of Vesuvius. more

John Martin and the Theatre of Subversion
Max Adams, author of The Prometheans, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings. more

When a volcano erupted on a small island in Indonesia in 1883, the evening skies of the world glowed for months with strange colours. Richard Hamblyn explores a little-known series of letters that the poet Gerard Manley Hopkins sent in to the journal Nature describing the phenomenon - letters that would constitute the majority of the small handful of writings published while he was alive. more

In 1585 the Englishman John White, governor of one of the very first North American colonies, made a series of exquisite watercolour sketches of the native Algonkin people alongside whom the settlers would try to live. Benjamin Breen explores the significance of the sketches and their link to the mystery of what became known as the "Lost Colony". more

Nicholas Tromans, author of Richard Dadd: The Artist and the Asylum, takes a look at Dadd's most famous painting The Fairy Feller’s Master-Stroke. more

The Mysteries of Nature and Art
Julie Gardham, Senior Assistant Librarian at University of Glasgow's Special Collections Department, takes a look at the book that was said to have spurred a young Isaac Newton onto the scientific path, The Mysteries of Nature and Art by John Bate. more

Navigating Dürer’s Woodcuts for The Ship of Fools
At the start of his career, as a young man in his twenties, Albrecht Dürer created a series of woodcuts to illustrate Sebastian Brant's The Ship of Fools of 1494. Dürer scholar Rangsook Yoon explores the significance of these early pieces and how in their subtlety of allegory they show promise of his masterpieces to come. more

Robert Fludd and His Images of The Divine
Between 1617 and 1621 the English physician and polymath Robert Fludd published his masterpiece Utriusque Cosmi . . . Historia, a two-volume work packed with over sixty intricate engravings. Urszula Szulakowska looks at the philosophical and theological ideas behind the extraordinary images found in the first volume, an exploration of the macrocosm of the universe and spiritual realm. more

Accuracy and Elegance in Cheselden’s Osteographia (1733)
With its novel vignettes and its use of a camera obscura in the production of the plates, William Cheselden’s Osteographia, is recognized as a landmark in the history of anatomical illustration. Monique Kornell looks at its unique blend of accuracy and elegance. more

